{"id":2250,"date":"2025-03-05T21:59:57","date_gmt":"2025-03-05T13:59:57","guid":{"rendered":"https:\/\/led.amasly.com\/?page_id=2250"},"modified":"2026-01-22T11:30:42","modified_gmt":"2026-01-22T03:30:42","slug":"exhibition-hall-lighting-solutions","status":"publish","type":"page","link":"https:\/\/led.amasly.com\/sk\/solutions\/exhibition-hall-lighting-solutions\/","title":{"rendered":"Rie\u0161enia osvetlenia v\u00fdstavnej haly"},"content":{"rendered":"
<\/div><\/div>\n\n\n\n

V\u00fdstavn\u00e1 hala<\/strong> Inteligentn\u00e9 rie\u0161enia osvetlenia<\/strong><\/h1>\n\n\n\n

V\u00fdstavn\u00e1 hala N\u00e1vrh rie\u0161enia osvetlenia<\/strong><\/h2>\n\n\n\n

V\u00fdstavn\u00e9 osvetlenie zohr\u00e1va d\u00f4le\u017eit\u00fa \u00falohu pri zv\u00fdraz\u0148ovan\u00ed expon\u00e1tov a zlep\u0161ovan\u00ed atmosf\u00e9ry priestoru. N\u00e1vrh osvetlenia v\u00fdstavy zah\u0155\u0148a tri formy prirodzen\u00e9ho osvetlenia, umel\u00e9ho osvetlenia a integrovan\u00e9ho osvetlenia. Pokia\u013e v\u0161ak ide o komer\u010dn\u00e9 v\u00fdstavy, vzh\u013eadom na ich kr\u00e1tku dobu trvania a vysok\u00e9 po\u017eiadavky na \u00farove\u0148 osvetlenia sa na v\u00e4\u010d\u0161ine z nich pou\u017e\u00edva umel\u00e9 osvetlenie alebo prirodzen\u00e9 svetlo a umel\u00e9 zdroje svetla kombinovan\u00e9 s dvoma formami osvetlenia (okrem vonkaj\u0161ej expoz\u00edcie).<\/p>\n\n\n\n

\"Exhibition<\/figure><\/div>\n\n\n\n

1.z\u00e1kladn\u00e9 po\u017eiadavky Rie\u0161enia osvetlenia v\u00fdstavnej haly<\/strong><\/strong><\/h2>\n\n\n\n

1.1 Osvetlenie<\/strong><\/strong><\/h3>\n\n\n\n

R\u00f4zne displeje vy\u017eaduj\u00fa r\u00f4zne hodnoty osvetlenia. Napr\u00edklad potraviny, r\u00f4zny tovar, knihy a kvety potrebuj\u00fa 100-500 lx; tmav\u00fd textil, \u0161perky a ko\u017ea vy\u017eaduj\u00fa 200-1000 lx; umenie potrebuje 300-500 lx; stroje a pr\u00edstroje potrebuj\u00fa 100-200 lx.<\/p>\n\n\n\n

1.2 Rozdelenie jasu<\/strong><\/strong><\/h3>\n\n\n\n

T\u00e9ma v\u00fdstavy by mala by\u0165 najjasnej\u0161ou \u010das\u0165ou v\u00edzie. Sveteln\u00e9 zdroje, svietidl\u00e1 nep\u00fataj\u00fa pozornos\u0165, aby pomohli div\u00e1kom s\u00fastredi\u0165 sa na prezeranie expon\u00e1tov. Pri expon\u00e1toch, ktor\u00e9 treba zv\u00fdrazni\u0165, sa \u010dasto pou\u017e\u00edva lok\u00e1lne osvetlenie, aby sa zv\u00fd\u0161il jeho jasov\u00fd kontrast s okolit\u00fdm prostred\u00edm.<\/p>\n\n\n\n

Rozlo\u017eenie jasu okolia ur\u010duje vizu\u00e1lnu adapt\u00e1ciu publika. Medzi v\u00fdstavn\u00fdmi miestnos\u0165ami s r\u00f4znou \u00farov\u0148ou osvetlenia, najm\u00e4 v chodbovej \u010dasti v\u00fdstavnej miestnosti s rozdielom svetla a tie\u0148a, by mal by\u0165 postupn\u00fd prechod osvetlen\u00fdch pl\u00f4ch, aby div\u00e1ci nemali pri prechode zo svetl\u00e9ho prostredia do tmav\u00e9ho priestoru pocit stlmenia, \u010do zni\u017euje z\u00e1ujem o sledovanie.<\/p>\n\n\n\n

Jas a farba pozadia expon\u00e1tov by nemali by\u0165 ohromuj\u00face. Pomer jasu expon\u00e1tov k pozadiu je 1:3 a\u017e 3:1. Vo v\u0161eobecnosti by pozadie malo by\u0165 matn\u00e9, bezfarebn\u00e9 (alebo svetl\u00e9, siv\u00e9).<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

1.3 Odraz a oslnenie<\/strong><\/strong><\/h3>\n\n\n\n

Vo v\u00fdstavnom priestore je ve\u013emi d\u00f4le\u017eit\u00e9 zabr\u00e1ni\u0165 ru\u0161iv\u00fdm odrazom a oslneniu publika. Vo f\u00e1ze predbe\u017en\u00e9ho pl\u00e1novania a organiz\u00e1cie by sa malo d\u00f4kladne zv\u00e1\u017ei\u0165 umiestnenie okien a svietidiel a rozlo\u017eenie osvetlenia v\u00fdstavnej haly. V prvom rade je potrebn\u00e9 zabr\u00e1ni\u0165 priamemu oslneniu, ako je napr\u00edklad pou\u017eitie osvetlenia denn\u00fdm svetlom, malo by pr\u00edsne blokova\u0165 priame slne\u010dn\u00e9 svetlo, lampy umel\u00e9ho osvetlenia musia ma\u0165 dostato\u010dn\u00fd tieniaci uhol; Druh\u00fdm cie\u013eom je zabr\u00e1ni\u0165 ru\u0161iv\u00fdm odrazom. Existuje nieko\u013eko pr\u00edpadov reflexn\u00e9ho ru\u0161enia:<\/p>\n\n\n\n

(1) Oslnenie sp\u00f4soben\u00e9 odrazom zdroja svetla od zrkadlov\u00e9ho skla alebo in\u00e9ho leskl\u00e9ho povrchu do o\u010d\u00ed div\u00e1kov je odraz.<\/p>\n\n\n\n

(2) Jas div\u00e1kov alebo in\u00fdch objektov je vy\u0161\u0161\u00ed ako jas povrchu expon\u00e1tu a obraz odrazu objavuj\u00faci sa na skle alebo lesklom povrchu je sekund\u00e1rny odraz.<\/p>\n\n\n\n

(3) Odrazy sveteln\u00fdch z\u00e1vesov na expon\u00e1toch s leskl\u00fdmi materi\u00e1lmi.<\/p>\n\n\n\n

Aby sa predi\u0161lo jedin\u00e9mu odrazu, zdroj osvetlenia ploch\u00fdch expon\u00e1tov by mal by\u0165 umiestnen\u00fd mimo oblasti ru\u0161iv\u00e9ho odrazu. Ak m\u00f4\u017ee by\u0165 osvetlenie expon\u00e1tov vy\u0161\u0161ie ako celkov\u00e1 \u00farove\u0148 osvetlenia v\u00fdstavnej haly a osvetlenie priestoru pre div\u00e1kov, sekund\u00e1rny odraz sa m\u00f4\u017ee oslabi\u0165.<\/p>\n\n\n\n

1.4 Farba zdroja svetla<\/strong><\/strong><\/h3>\n\n\n\n

V\u010faka farebnej adapt\u00e1cii zraku, \u010di je slne\u010dno alebo zamra\u010den\u00e9, pokia\u013e je dostato\u010dn\u00e9 osvetlenie, vn\u00edman\u00e1 farba objektu zost\u00e1va v\u017edy kon\u0161tantn\u00e1. Z h\u013eadiska farby sveteln\u00e9ho zdroja je preto prirodzen\u00e9 svetlo ide\u00e1lnym zdrojom osvetlenia. Ak sa pou\u017e\u00edva forma umel\u00e9ho osvetlenia, v z\u00e1ujme zachovania prirodzenej farby expon\u00e1tov je ide\u00e1lna vo\u013eba zdroja svetla s farbou denn\u00e9ho svetla.<\/p>\n\n\n\n

1.5 Flexibilita<\/strong><\/strong><\/h3>\n\n\n\n

Komer\u010dn\u00e1 v\u00fdstavn\u00e1 \u010dinnos\u0165 je relat\u00edvne siln\u00e1, kr\u00e1tky cyklus, aby sa splnila t\u00e1to po\u017eiadavka, je najlep\u0161ie pou\u017ei\u0165 flexibiln\u00e9 optick\u00e9 vedenie a bodov\u00e9 svetl\u00e1 so v\u0161eobecn\u00fdmi formami osvetlenia. Vo v\u00fdstavnej miestnosti s prirodzen\u00fdm osvetlen\u00edm by malo by\u0165 k dispoz\u00edcii manu\u00e1lne alebo automatick\u00e9 ovl\u00e1danie zariadenia slne\u010dnej clony, aby bolo mo\u017en\u00e9 kedyko\u013evek pri zmene svetla upravi\u0165 sveteln\u00fd tok.<\/p>\n\n\n\n

1.6 Bezpe\u010dnos\u0165<\/strong><\/strong><\/h3>\n\n\n\n

Pozornos\u0165 by sa mala venova\u0165 rozptylu tepla sveteln\u00e9ho zdroja a spotreba elektrickej energie by nemala prekro\u010di\u0165 za\u0165a\u017eenie nap\u00e1jania, aby sa zabezpe\u010dil hladk\u00fd a bezpe\u010dn\u00fd priebeh v\u00fdstavy pod\u013ea pl\u00e1nu.<\/p>\n\n\n\n

2. Rie\u0161enia osvetlenia v\u00fdstavnej haly<\/strong><\/strong> formul\u00e1r osvetlenia<\/strong><\/h2>\n\n\n\n

Na osvetlenie v\u00fdstav sa be\u017ene pou\u017e\u00edvaj\u00fa \u017eiarovky na v\u0161eobecn\u00e9 osvetlenie, \u017eiarivky s denn\u00fdm svetlom a studenou bielou farbou, ktor\u00e9 sa pou\u017e\u00edvaj\u00fa na vrchn\u00e9 osvetlenie alebo do vitr\u00edn, mal\u00e9 reflektory na k\u013e\u00fa\u010dov\u00e9 osvetlenie a farebn\u00e9 svetl\u00e1 na vytvorenie atmosf\u00e9ry at\u010f., ktor\u00e9 by sa mali vybera\u0165 pod\u013ea konkr\u00e9tnych okolnost\u00ed.<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Formy v\u00fdstavn\u00e9ho osvetlenia s\u00fa nasledovn\u00e9:<\/p>\n\n\n\n

(1). Svietidl\u00e1 a svietidl\u00e1 na strope a vo vitr\u00edne by mali by\u0165 blokovan\u00e9 mrie\u017ekou na prsty alebo svetelnou clonou (vo vitr\u00edne), aby svetlo dopadalo priamo pod alebo na sch\u00e9mu ni\u017e\u0161ie.<\/p>\n\n\n\n

(2) Skri\u0148a s diapozit\u00edvmi vyu\u017e\u00edva osvetlenie odrazom od bo\u010dnej steny (rovina alebo zakriven\u00fd povrch) a svetlo by malo by\u0165 rovnomern\u00e9 a m\u00e4kk\u00e9.<\/p>\n\n\n\n

(3) N\u00e1stenn\u00e1 vitr\u00edna vyu\u017e\u00edva horn\u00e9 a bo\u010dn\u00e9 zmie\u0161an\u00e9 osvetlenie.<\/p>\n\n\n\n

(4) Osvetlenie rozlo\u017eenia m\u00f4\u017ee by\u0165 vyroben\u00e9 zo \u0161trbinov\u00fdch svetiel alebo \u0161trbinov\u00fdch svetiel.<\/p>\n\n\n\n

(5) Na osvetlenie v\u00fdznamn\u00fdch expon\u00e1tov by sa mali pou\u017e\u00edva\u0165 reflektory.<\/p>\n\n\n\n

(6) Na vytvorenie ur\u010ditej atmosf\u00e9ry alebo pozadia mo\u017eno osvetli\u0165 studen\u00fdm osvetlen\u00edm alebo farebn\u00fdmi svetlami.<\/p>\n\n\n\n

(7) Pod\u013ea po\u017eiadaviek na dizajn mo\u017eno zorganizova\u0165 sveteln\u00fa reklamu alebo modelovanie.<\/p>\n\n\n\n

\u0160tandardn\u00e9: IEC 60598<\/a><\/p>\n\n\n\n

<\/div><\/div>\n\n\n\n

S\u00favisiace produkty<\/h2>\n\n\n\n
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Svetl\u00e1 LED odoln\u00e9 proti v\u00fdbuchu<\/a><\/h4>\n<\/div>\n\n\n\n
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Trojit\u00e9 LED osvetlenie<\/a><\/h4>\n<\/div>\n\n\n\n
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Svetl\u00e1 \u010derpac\u00edch stan\u00edc odoln\u00e9 proti v\u00fdbuchu<\/a><\/h4>\n<\/div>\n<\/div><\/div>\n\n\n\n
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\"\"<\/a><\/figure><\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/figure><\/div>\n<\/div>\n\n\n\n
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LED svetl\u00e1 na zaplavenie<\/a><\/h4>\n<\/div>\n\n\n\n
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LED Tri-Proof Tube Lights<\/a><\/h4>\n<\/div>\n\n\n\n
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Pouli\u010dn\u00e9 svetl\u00e1 LED<\/a><\/h4>\n<\/div>\n<\/div><\/div>\n\n\n\n
<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Exhibition hall Intelligent Lighting Solutions Exhibition hall Lighting Solutions design Exhibition lighting plays an important role in highlighting exhibits and enhancing the atmosphere of the space. The lighting design of the exhibition includes three forms of natural lighting, artificial lighting and integrated lighting. However, as far as commercial exhibitions are concerned, because of their short […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1808,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2250","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"trp-custom-language-flag":false},"uagb_author_info":{"display_name":"Joe","author_link":"https:\/\/led.amasly.com\/sk\/author\/jacklin\/"},"uagb_comment_info":0,"uagb_excerpt":"Exhibition hall Intelligent Lighting Solutions Exhibition hall Lighting Solutions design Exhibition lighting plays an important role in highlighting exhibits and enhancing the atmosphere of the space. The lighting design of the exhibition includes three forms of natural lighting, artificial lighting and integrated lighting. However, as far as commercial exhibitions are concerned, because of their short…","_links":{"self":[{"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/pages\/2250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/comments?post=2250"}],"version-history":[{"count":2,"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/pages\/2250\/revisions"}],"predecessor-version":[{"id":4560,"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/pages\/2250\/revisions\/4560"}],"up":[{"embeddable":true,"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/pages\/1808"}],"wp:attachment":[{"href":"https:\/\/led.amasly.com\/sk\/wp-json\/wp\/v2\/media?parent=2250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}